The finals curtain
So I got my results. I passed. I can now put new letters after my name — if I were so disposed, which I’m not.
How does it feel?
Like a real achievement. But, inevitably, a bit empty, too.
I’ll write more about this very soon.
Next up More on exams, my dissertation and finishing the course
Tuesday, 29 September 2009
Monday, 28 September 2009
Testing, three . . .
So . . . if the first time I finished my university exams, I went straight to the bar, got drunk and vowed never to do an exam again, what did I do second time around?
Well, I didn't go straight to the bar and I didn't vow never to do an exam again. I went home and had a cup of tea. Then I took the tube back to Tottenham Court Road and joined my fellow students for a couple of drinks. I didn't get drunk, though, and I didn't vow never to exam again.
I was, to be honest, fairly tired by this point. I was writing a book. I was running the usual life of someone with a living to earn, three children and a small dog. I also had another long-term project which I was about half-way through. Right through the revision, I'd had a touch of back ache which I kept at bay by doing yoga stretched every hour or so.
So what happened next? My back went, of course. I spent weeks in which the smallest journey - across the room, say - was a real struggle. Like everyone else in that position, I suffered through the reality of what some people spend their life having to deal with - and got an unpleasant foretaste, perhaps, of the inevitable difficulties of old age.
I learned, too, that you can keep working through. In fact, I found myself feeling really fortunate that I could keep working through. A lumberjack, say, or a hospital cleaner, would not be so blessed. Me, though, I could sit at a desk or table tapping out words and working hard not to feel sorry for myself.
It was a strangely restricted life. Work. Get fed - itself something of a novelty for me, as I'm usually the one doing the feeding. Sleep. Get up. Work. Get fed. Sleep. I didn't see the local shops for almost a month. I still remember the day I managed to walk to a restaurant for lunch - 200 metres or so. When I got there, I had to sit on the steps for a minute or so to recover.
All of which adds to the reasons I didn't write much about the exams before now and why my blog was so episodic for a while.
So how did I do this year, in my second set of exams?
Next up The answer to that question.
So . . . if the first time I finished my university exams, I went straight to the bar, got drunk and vowed never to do an exam again, what did I do second time around?
Well, I didn't go straight to the bar and I didn't vow never to do an exam again. I went home and had a cup of tea. Then I took the tube back to Tottenham Court Road and joined my fellow students for a couple of drinks. I didn't get drunk, though, and I didn't vow never to exam again.
I was, to be honest, fairly tired by this point. I was writing a book. I was running the usual life of someone with a living to earn, three children and a small dog. I also had another long-term project which I was about half-way through. Right through the revision, I'd had a touch of back ache which I kept at bay by doing yoga stretched every hour or so.
So what happened next? My back went, of course. I spent weeks in which the smallest journey - across the room, say - was a real struggle. Like everyone else in that position, I suffered through the reality of what some people spend their life having to deal with - and got an unpleasant foretaste, perhaps, of the inevitable difficulties of old age.
I learned, too, that you can keep working through. In fact, I found myself feeling really fortunate that I could keep working through. A lumberjack, say, or a hospital cleaner, would not be so blessed. Me, though, I could sit at a desk or table tapping out words and working hard not to feel sorry for myself.
It was a strangely restricted life. Work. Get fed - itself something of a novelty for me, as I'm usually the one doing the feeding. Sleep. Get up. Work. Get fed. Sleep. I didn't see the local shops for almost a month. I still remember the day I managed to walk to a restaurant for lunch - 200 metres or so. When I got there, I had to sit on the steps for a minute or so to recover.
All of which adds to the reasons I didn't write much about the exams before now and why my blog was so episodic for a while.
So how did I do this year, in my second set of exams?
Next up The answer to that question.
Friday, 11 September 2009
Testing, two . . .
So, fifteen months or so later, I found myself in a room high above Tottenham Court Rd. I'd already taken exams at the end of the first year's study. I'd done well enough in that first set of exams. I had, though, been pretty stressed in the lead-up to them. Why? Because . . .
1. Since learning to touch-type some thirty years ago, I'd barely written more than a short note for someone else to read. My handwriting has always been terrible (worse, actually) and three decades of not writing for other people had done nothing to improve it.
2. I was quite out of practice at studying for exams. I had no real way of knowing what was expected. There were no sample answers to look at. I wondered if criteria had changed since I took my first degree. I did ask a tutor and was, again, told not to worry. But still . . .
3. I did want to do well. I didn't want to shine. Or rather, that would of course be nice but I wouldn't be downcast if I didn't manage it. Getting a really low mark, though, that would be humiliating.
4. There had only been one previous piece of submitted work for the course. Although I'd done well in that, it was far from being a general test of my understanding and knowledge.
5. Somehow, I'd managed to do more units in the first year than I intended. My idea was to do around two-thirds of the course in the first year. But units were moved around and I didn't adjust my schedule accordingly. So I ended up doing three-quarters of it. And so I could do nine out of the necessary twelve exam questions. Which I did. (Despite also facing a looming delivery deadline for my book, Filthy English, Portobello, October 2009.)
So, stressed, I revised. With no guidance, I developed my own strategy. I made a spreadsheet of previous years' questions and did a rough frequency count to predict what would come up in each unit. I wrote a list of concepts, with notes on each. I focused on a few potential questions and wrote draft answers in note form and introductory sections in full. I read and re-read them.
All of which worked, more or less. I reckon I only fell down badly on two papers. One was a new unit for which no one could have predicted the questions. I wrote some fractious rubbish.
The other unit I'm sure I screwed up was the French stuff: Lacan and Andre Green. Despite there only being one seminar on Green to seven or so on Lacan, the exam had always featured a question on each. Further, the Green one was always the same. It was about his big thing, the dead mother complex. (You were supposed to glide over the fact that this was something that was expressed in his own personal history. Mere gossip, in the words of psychoanalysts' favourite brittle, defensive put-down.)
I couldn't, though, bring myself to answer or even revise the Green question. An evening at a lecture by him at the Institute of Psychoanalysis exemplified for me everything I had always hated about the game. It was pompous, endless, petty and spiteful, self-congratulatory and expressed in a language which bore no relation to any I'd learned. It certainly wasn't in either English or French - or even the Cairene Arabic or Ladino of Green's childhood. As I wrote at the time, as evenings go, it was the longest month I've ever endured.
So: no Green. It had to be Lacan then. My calculations pointed to the Lacan question being about the French guru-analyst's deeply silly and wrong notion that the unconscious is structured like a language. I'd not been there for that lecture so I actually had to read some of his quite awful writing.
(That judgment of his prose is not opinion but fact. Even our Lacanian tutor - an amusing and engaging London-based French psychiatrist who dresses like a Balkan gangster - opened his seminars by pointing out what a terrible, terrible writer Lacan was.)
So I tried to read Lacan. And failed. I'd either get angry and argue with every word on the page or I'd drift into some kind of trance state. I'd like to liken it to analysts' aimed-for state of free-floating attention but I can't. Free-floating disattention, more like it. I'd look at a page for what felt like hours - useless hours, at that. Then I'd look at my watch. Hours really had passed. So I gave up on Lacan.
What then did I do when my predicted question came up in the exam? I blagged it, of course. Just as I'd always done in exams I hadn't revised for. I dragged in as much outside knowledge I had - from linguistics, in this case - and slapped it on to the page, filling out what little I knew. And I pointed out that thinking of the unconscious as structured like a language was silly, wrong and - biggest no-no in the psychoanalytic world - in direct contradiction of Freud's thoughts on it.
It's not really a surprise if I got a bad mark for that one, is it?
Next up The aftermath of last year's exams
So, fifteen months or so later, I found myself in a room high above Tottenham Court Rd. I'd already taken exams at the end of the first year's study. I'd done well enough in that first set of exams. I had, though, been pretty stressed in the lead-up to them. Why? Because . . .
1. Since learning to touch-type some thirty years ago, I'd barely written more than a short note for someone else to read. My handwriting has always been terrible (worse, actually) and three decades of not writing for other people had done nothing to improve it.
2. I was quite out of practice at studying for exams. I had no real way of knowing what was expected. There were no sample answers to look at. I wondered if criteria had changed since I took my first degree. I did ask a tutor and was, again, told not to worry. But still . . .
3. I did want to do well. I didn't want to shine. Or rather, that would of course be nice but I wouldn't be downcast if I didn't manage it. Getting a really low mark, though, that would be humiliating.
4. There had only been one previous piece of submitted work for the course. Although I'd done well in that, it was far from being a general test of my understanding and knowledge.
5. Somehow, I'd managed to do more units in the first year than I intended. My idea was to do around two-thirds of the course in the first year. But units were moved around and I didn't adjust my schedule accordingly. So I ended up doing three-quarters of it. And so I could do nine out of the necessary twelve exam questions. Which I did. (Despite also facing a looming delivery deadline for my book, Filthy English, Portobello, October 2009.)
So, stressed, I revised. With no guidance, I developed my own strategy. I made a spreadsheet of previous years' questions and did a rough frequency count to predict what would come up in each unit. I wrote a list of concepts, with notes on each. I focused on a few potential questions and wrote draft answers in note form and introductory sections in full. I read and re-read them.
All of which worked, more or less. I reckon I only fell down badly on two papers. One was a new unit for which no one could have predicted the questions. I wrote some fractious rubbish.
The other unit I'm sure I screwed up was the French stuff: Lacan and Andre Green. Despite there only being one seminar on Green to seven or so on Lacan, the exam had always featured a question on each. Further, the Green one was always the same. It was about his big thing, the dead mother complex. (You were supposed to glide over the fact that this was something that was expressed in his own personal history. Mere gossip, in the words of psychoanalysts' favourite brittle, defensive put-down.)
I couldn't, though, bring myself to answer or even revise the Green question. An evening at a lecture by him at the Institute of Psychoanalysis exemplified for me everything I had always hated about the game. It was pompous, endless, petty and spiteful, self-congratulatory and expressed in a language which bore no relation to any I'd learned. It certainly wasn't in either English or French - or even the Cairene Arabic or Ladino of Green's childhood. As I wrote at the time, as evenings go, it was the longest month I've ever endured.
So: no Green. It had to be Lacan then. My calculations pointed to the Lacan question being about the French guru-analyst's deeply silly and wrong notion that the unconscious is structured like a language. I'd not been there for that lecture so I actually had to read some of his quite awful writing.
(That judgment of his prose is not opinion but fact. Even our Lacanian tutor - an amusing and engaging London-based French psychiatrist who dresses like a Balkan gangster - opened his seminars by pointing out what a terrible, terrible writer Lacan was.)
So I tried to read Lacan. And failed. I'd either get angry and argue with every word on the page or I'd drift into some kind of trance state. I'd like to liken it to analysts' aimed-for state of free-floating attention but I can't. Free-floating disattention, more like it. I'd look at a page for what felt like hours - useless hours, at that. Then I'd look at my watch. Hours really had passed. So I gave up on Lacan.
What then did I do when my predicted question came up in the exam? I blagged it, of course. Just as I'd always done in exams I hadn't revised for. I dragged in as much outside knowledge I had - from linguistics, in this case - and slapped it on to the page, filling out what little I knew. And I pointed out that thinking of the unconscious as structured like a language was silly, wrong and - biggest no-no in the psychoanalytic world - in direct contradiction of Freud's thoughts on it.
It's not really a surprise if I got a bad mark for that one, is it?
Next up The aftermath of last year's exams
Thursday, 10 September 2009
Testing, one . . .
Just over 35 years ago, I walked out of an exam room, having finished the final paper of my psychology degree finals. I’d been sitting exams once or twice a year since the age of nine or so. Twelve years: maybe twenty sets of exams. Mostly, I was good at them. But I’d had enough.
I walked into the bar, I announced that I would never take another exam. Then I got drunk.
I don’t know if I meant my decision to last a lifetime but I certainly stuck to it for long enough. Apart from taking my driving test (and maybe the odd personality test in a magazine), I sat no exams for 35 years. Nor did I miss them.
It’s not that I don’t think exams are a good thing — now and or back then. I think they’re a good way of assessing capability. They’re not perfect, of course, but they are a pretty good measure of knowledge, understanding and ability to work smart and fast in a stressful and unpredictable situation. All incredibly useful skills in life and work’s not uncommon tight spots.
Renouncing exams was a purely personal thing. Enough was, just, enough. I felt I’d had my lifetime’s fill of them.
So, when I decided I wanted to do a masters in psychoanalysis, I was put off by the fact that the UCL course had exams. It was clearly the best and toughest course — closest to my house, too. But exams . . . I really, really couldn’t be having with them.
I mentioned this to a university lecturer friend, Elizabeth. She was her usual direct self. ‘Don’t be so silly,’ she said. ‘You of all people shouldn’t worry. You’ve spent a lifetime writing to deadline under pressure. You’ll be fine.’
Next up So was I? Fine, that is.
Just over 35 years ago, I walked out of an exam room, having finished the final paper of my psychology degree finals. I’d been sitting exams once or twice a year since the age of nine or so. Twelve years: maybe twenty sets of exams. Mostly, I was good at them. But I’d had enough.
I walked into the bar, I announced that I would never take another exam. Then I got drunk.
I don’t know if I meant my decision to last a lifetime but I certainly stuck to it for long enough. Apart from taking my driving test (and maybe the odd personality test in a magazine), I sat no exams for 35 years. Nor did I miss them.
It’s not that I don’t think exams are a good thing — now and or back then. I think they’re a good way of assessing capability. They’re not perfect, of course, but they are a pretty good measure of knowledge, understanding and ability to work smart and fast in a stressful and unpredictable situation. All incredibly useful skills in life and work’s not uncommon tight spots.
Renouncing exams was a purely personal thing. Enough was, just, enough. I felt I’d had my lifetime’s fill of them.
So, when I decided I wanted to do a masters in psychoanalysis, I was put off by the fact that the UCL course had exams. It was clearly the best and toughest course — closest to my house, too. But exams . . . I really, really couldn’t be having with them.
I mentioned this to a university lecturer friend, Elizabeth. She was her usual direct self. ‘Don’t be so silly,’ she said. ‘You of all people shouldn’t worry. You’ve spent a lifetime writing to deadline under pressure. You’ll be fine.’
Next up So was I? Fine, that is.
Wednesday, 9 September 2009
School’s out
It’s over. In the words of Alice Cooper (and the playground rhyme that inspired him), no more pencils, no more books, no more teachers’ dirty looks.
That’s it. It’s all over bar the mark. I’ve done the seminars, the essays, the exams, the dissertations. Somewhere down the line, I'll get the piece of paper to prove it.
Meantime . . . I took an extended summer break from this blog — even longer than I intended, frankly. I will now, though, be posting fairly regularly. In particular, I’ll be writing about the course and stuff I learned on it — about psychoanalysis, yes, but also about people (in which category, I include myself, at least some of the time).
So . . . forthcoming attractions include:
Dissertation writing — as viewed from a lifetime of writing
Exams — what’s a grown man sitting at a desk scribbling furiously with a pen
Drugs — should I have taken neuro-enhancers?
Chance encounters of a psychoanalytic kind — a barbecue of analysts (where? in north west London, of course)
Sunny Goodge Street — what I’ll miss about the course
Then and now — a (brief) return to south east London and finishing with academia for the second time
Typography — me and IKEA
Lacan and le con — what the French psychoanalyst kept in his cupboard
See you soon.
It’s over. In the words of Alice Cooper (and the playground rhyme that inspired him), no more pencils, no more books, no more teachers’ dirty looks.
That’s it. It’s all over bar the mark. I’ve done the seminars, the essays, the exams, the dissertations. Somewhere down the line, I'll get the piece of paper to prove it.
Meantime . . . I took an extended summer break from this blog — even longer than I intended, frankly. I will now, though, be posting fairly regularly. In particular, I’ll be writing about the course and stuff I learned on it — about psychoanalysis, yes, but also about people (in which category, I include myself, at least some of the time).
So . . . forthcoming attractions include:
Dissertation writing — as viewed from a lifetime of writing
Exams — what’s a grown man sitting at a desk scribbling furiously with a pen
Drugs — should I have taken neuro-enhancers?
Chance encounters of a psychoanalytic kind — a barbecue of analysts (where? in north west London, of course)
Sunny Goodge Street — what I’ll miss about the course
Then and now — a (brief) return to south east London and finishing with academia for the second time
Typography — me and IKEA
Lacan and le con — what the French psychoanalyst kept in his cupboard
See you soon.
Friday, 31 July 2009
Self and others
I’ve made a few small changes to the way this blog looks and is arranged.
One I’ve added a new photo of myself. I’ve already asked some of you this question but no-one has got it right yet: who took the photo? There’s a prize for a correct answer — and it’s not a signed copy of the picture. Clue one: he’s not unknown (actually, that’s two clues, isn’t it). Clue two: there’s another clue lower down in this post.
Two I’ve added a link to rocksbackpages (rocking writing under free-ish associations below). It’s an archive of all kinds of pop music writing. There’s loads of my stuff there. I think you might have to pay for some of it but it is also available free via some local libraries. There is a link on the rocksbackpages home page to something called Freekly. The idea here is that you sign up — for free — and the site interrogates your iTunes, then sends you links to pop music stories, old and new, that you might be interested in. If you then buy stuff on click-through, I get money. That is the idea anyway. I find it quite fun: it’s even recommended my own writing to me. So it clearly has taste.
Three I’ve added a link to Professional Photography magazine (legendary photography, under free-ish associations below). I’ve been writing a series for them, on . . . legendary photographers. I’ve done a dozen or so far, including Guy Bourdin, William Eggleston, Herb Ritts and Deborah Turbeville. As soon as I’ve done posting this, I’m off to finish one on Araki.
Next up Shhhh
I’ve made a few small changes to the way this blog looks and is arranged.
One I’ve added a new photo of myself. I’ve already asked some of you this question but no-one has got it right yet: who took the photo? There’s a prize for a correct answer — and it’s not a signed copy of the picture. Clue one: he’s not unknown (actually, that’s two clues, isn’t it). Clue two: there’s another clue lower down in this post.
Two I’ve added a link to rocksbackpages (rocking writing under free-ish associations below). It’s an archive of all kinds of pop music writing. There’s loads of my stuff there. I think you might have to pay for some of it but it is also available free via some local libraries. There is a link on the rocksbackpages home page to something called Freekly. The idea here is that you sign up — for free — and the site interrogates your iTunes, then sends you links to pop music stories, old and new, that you might be interested in. If you then buy stuff on click-through, I get money. That is the idea anyway. I find it quite fun: it’s even recommended my own writing to me. So it clearly has taste.
Three I’ve added a link to Professional Photography magazine (legendary photography, under free-ish associations below). I’ve been writing a series for them, on . . . legendary photographers. I’ve done a dozen or so far, including Guy Bourdin, William Eggleston, Herb Ritts and Deborah Turbeville. As soon as I’ve done posting this, I’m off to finish one on Araki.
Next up Shhhh
Wednesday, 29 July 2009
Group theory
People were always asking me the same question about my course. It was the one I’d have asked me, too, if I weren’t me. It was this: ‘Theoretical?’ As in, why Theoretical Psychoanalytic Studies? Does that mean they’re not real studies, only theoretical ones? Some put it less politely.
I’ve always given the same answer — there or thereabouts, anyway. I tell them that it’s theoretical as opposed to clinical. That is, it’s not training to become an analyst or a therapist etc. It’s the study of psychoanalytic theory. Its practice, too, as it happens. But not how to practise it.
Last week, I came up with another answer: a less abstract, more concrete one. It comes in two parts.
Part one. We are sitting in the seminar room. The seminar leader is outlining the work, life and theories of Wilfred Bion, an analyst who helped set up the Tavistock. His notion of ‘containment’ has seeped out into the wider world. Roughly, it’s the idea that the analyst can take a patient’s messy, unhappy emotions, hold them ‘inside’ himself for a bit of processing and return them in slightly better shape. It can sound hippy-dippy but Bion didn’t mean it that way. He was looking to explain how patients could and did get ‘better’.
Bion also did a lot of work on group dynamics. In some accounts, he is the major influence in the early development of studies on how groups function — and dysfunction. This was raised in the seminar. There was, though, only the briefest reference to the fact that we, in the room, were a group — and no attempt to discuss or dissect its dynamics. That’s theoretical for you — a discussion of the practice rather than the practice itself.
Part two. After class one Saturday, I’m having lunch with the other students who, like me, had chosen to do the course over two years. We are discussing this year’s students — the way you do, the way anyone would. We talk about them as individuals and as a group.
Interestingly, we each have quite different views of them — as individuals and as a group. For some of us, they are far more intellectual than the previous year. For others, they like to talk more. For some of us, they are more engaged in the subject. For others, they are less worldly. For some of us, there is a feeling that the course directors thought the previous year’s lot — ie us — were a bit flaky. Others of us thought: whatever.
What we all agreed on, in an unspoken way, was that there was a group, that this year’s intake were a group and that we were a different group — still essentially linked to last year’s students who have now left. How easily and inevitably are groups formed, I thought. And how we look for and mark the things which make our group distinctive. And how small a step it can be from there to marking the things which make our group better — or, at least, we imagine they do. And from there to the eternal tragedy of Freud’s narcissism of small differences.
People were always asking me the same question about my course. It was the one I’d have asked me, too, if I weren’t me. It was this: ‘Theoretical?’ As in, why Theoretical Psychoanalytic Studies? Does that mean they’re not real studies, only theoretical ones? Some put it less politely.
I’ve always given the same answer — there or thereabouts, anyway. I tell them that it’s theoretical as opposed to clinical. That is, it’s not training to become an analyst or a therapist etc. It’s the study of psychoanalytic theory. Its practice, too, as it happens. But not how to practise it.
Last week, I came up with another answer: a less abstract, more concrete one. It comes in two parts.
Part one. We are sitting in the seminar room. The seminar leader is outlining the work, life and theories of Wilfred Bion, an analyst who helped set up the Tavistock. His notion of ‘containment’ has seeped out into the wider world. Roughly, it’s the idea that the analyst can take a patient’s messy, unhappy emotions, hold them ‘inside’ himself for a bit of processing and return them in slightly better shape. It can sound hippy-dippy but Bion didn’t mean it that way. He was looking to explain how patients could and did get ‘better’.
Bion also did a lot of work on group dynamics. In some accounts, he is the major influence in the early development of studies on how groups function — and dysfunction. This was raised in the seminar. There was, though, only the briefest reference to the fact that we, in the room, were a group — and no attempt to discuss or dissect its dynamics. That’s theoretical for you — a discussion of the practice rather than the practice itself.
Part two. After class one Saturday, I’m having lunch with the other students who, like me, had chosen to do the course over two years. We are discussing this year’s students — the way you do, the way anyone would. We talk about them as individuals and as a group.
Interestingly, we each have quite different views of them — as individuals and as a group. For some of us, they are far more intellectual than the previous year. For others, they like to talk more. For some of us, they are more engaged in the subject. For others, they are less worldly. For some of us, there is a feeling that the course directors thought the previous year’s lot — ie us — were a bit flaky. Others of us thought: whatever.
What we all agreed on, in an unspoken way, was that there was a group, that this year’s intake were a group and that we were a different group — still essentially linked to last year’s students who have now left. How easily and inevitably are groups formed, I thought. And how we look for and mark the things which make our group distinctive. And how small a step it can be from there to marking the things which make our group better — or, at least, we imagine they do. And from there to the eternal tragedy of Freud’s narcissism of small differences.
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